Nataraj’s body forms the central axis that balances his outstretched arms carrying symbols of creation and destruction: the damru, the drum of creation, and agni, fire that can singe and destroy. Human existence is played out between these twin polarities of creation and destruction. Nataraj implies that change is life’s only eternal philosophy; to create, one has to destroy, and from destruction alone can emerge the seeds of renewed creation.
One hand in the abhaya mudra of benediction places Shiv both at the threshold and vortex of salvation. His other hand intriguingly points to his left foot that is raised, the big toe pointing towards the sky, to mukti-salvation, the ultimate objective of human existence. His other foot suppresses a demon-dwarf figure, the ego that must be suppressed. The dwarf also represents darkness that Shiv keeps at bay. For, Shiv represents light and glory as represented by the luminous arch of the nature/cosmos that circles the Nataraj.
Shiv’s matted hair reflects the complexities of existence, washed by the purest source of sustenance, the sacred river Ganga. Purity of intent and morality in existence washes away the most cursed of troubles. Nataraj’s countenance is calm. Above the half-smile is the ominous third eye that, when closed, represents the innermost recesses of knowledge; but when opened on intense provocation, is capable of cataclysmic destruction.
